That means that YOU are listening!
I wish I could ask Ron Silver what he thinks of the AIG bonuses. He'd have some original take -- maybe propose re-opening the bonuses paid to Franklin Raines and Jamie Gorelick for their yeoman's work running Fannie Mae into the ground and then collecting bonuses of $90 million and $24.7 million, respectively. Or maybe he'd just make a joke.
But I can't ask him anymore because Ron died of a rare esophageal cancer last Sunday.
So now there is one less person in the world who never chooses his positions to feed a pompous ego or to stroke his self-image as a thinking person. There was no point to posturing for Ron: His social standing in Hollywood was revoked the moment he supported Bush and the Iraq War.
Perhaps Ron always spoke his mind, but I didn't know him when he was "brave"; I only knew Ron when he was actually brave.
I've noticed that words like "brave" and "courageous" are mostly used nowadays to mean "left-wing.." We're constantly asked to admire the monumental courage of Susan Sarandon, Tim Robbins, Sean Penn, Janeane Garofalo and the Dixie Chicks -- sometimes even by other people.
But for my younger readers, what courage traditionally meant was risking the disapprobation of people you know. It was about losing friends, losing work and losing status where you live -- not alienating people you will never meet. Insulting people in Kansas when you live in Los Angeles is not speaking truth to power; it's speaking anything to serve power.
One thing you cannot say about Ron's magnificent speech at the 2004 Republican National Convention is that he did it to go with the flow in Hollywood, to take the path of least resistance, to win easy applause. Ron did lose work, lose friends and lose his entire social apparatus.
Ron didn't say what he said to get any kind of reaction, but because he believed it. He was an intellectual trapped in an actor's body.
Amid the antiques at his beautifully appointed Park Avenue pre-war, there were piles and piles of magazines and newspaper articles on topics ranging from Sunni Muslims to Darwinism. Nearly every room was lined with books, most of them dog-eared.
When I needed to stay with Ron for a few weeks once, he'd get up hours before I did, read all the major newspapers and leave the interesting articles circled at the foot of my bed.
This might be the nicest thing a man could ever do for me. Hey, skip the bagel and fresh coffee -- bring me that op-ed page and a pair of scissors! It was like a fabulous Park Avenue hotel with a clipping service.
During his long-shot chemo treatments at "the spa," as he called Memorial Sloan-Kettering, Ron turned his chemo rooms into Command Central. Most people doze off during chemo; Ron would be sitting upright, watching the news, checking his laptop and making cell phone calls, seemingly oblivious to the poison being injected into his arm.
He'd often come to church with me on Sundays -- while insisting he favored the "Original Testament," as if the New Testament were an act of judicial activism. He just liked to hear an intellectual lecture on the Bible -- and always perked up when the minister began discussing the "Original Testament."
On Sundays when we had communion, Ron would pop the host in his mouth as soon as the tray passed him, approvingly observing that matzo was served at church.
No ideas frightened him, which is part of the reason why we were always laughing, even when we were arguing.
Ron sometimes told me of the cruelty directed at him by his former friends, but never with bitterness or for publication -- although I'm tempted to get it off my chest even if he didn't want to get it off his chest. You know who you are.
As with his impending death, Ron mostly joked about his banishment from the plutocracy. When I off-handedly mentioned in December 2004 that I had to get a Christmas tree, he told me he'd like to help, but having recently spoken at the Republican National Convention, the last thing he needed was to be seen walking through the streets of New York carrying a Christmas tree.
After an aborted operation on his cancer in July 2007, as soon as I saw Ron in his hospital bed, I told him I had Christians across the country praying for him. He said, "That's good, because the Jews are praying for me to die."
Here he was joking only hours after being told his cancer was inoperable and he had mere months to live. Nearly two years later, he was gone. Luckily for him, he now faces a Maker who rewards bravery, but despises "bravery."
I almost wrote something about Ron Sliver's passing but decided to wait for when I would have more time. Now I'm glad that I did wait because Miss Ann, who knew him personally, can say what needs to be said far better than I could.
Ann calls Mr. Silver brave and he certainly was but the world that always comes to mind when I think of him is "honest". Ron Silver was a man who had taken in the left-wing zeitgeist of Hollywood but when brought face to face with reality he was simply too honest to stick his fingers in his ears and hum real loud till the nasty old facts went away.
Ron Silver paid the price for his honesty in the loss of his acting career. I leave it to others to expound upon the Hollywood blacklist which ostracizes anyone who dares to be a sincere patriot. I will simply observe that we are a great deal poorer for the passing of one who counted the cost and did the right thing anyway.
May his tribe increase.
Thursday, March 19, 2009
Miss Ann is talking
Posted by
Lemuel Calhoon
at
9:10 AM
|
Labels: Ann Coulter, Bad News
Natasha Richardson dead
NEW YORK (AP) - Tributes have begun to pour in from across the show business generations for Natasha Richardson, the Tony Award-winning actress who died after suffering a head injury on a ski slope.
"She was a wonderful woman and actress and treated me like I was her own," said Lindsay Lohan, who as a preteen starred with Richardson in a remake of "The Parent Trap" in 1998. "My heart goes out to her family. This is a tragic loss."
Richardson, who fell during a private ski lesson Monday at a ski resort in Quebec, was seemingly fine afterward. But about an hour later she complained that she didn't feel well.
The 45-year-old actress was hospitalized Tuesday in Montreal and later flown to a hospital in New York. Alan Nierob, the Los Angeles-based publicist for Richardson's husband, Liam Neeson, confirmed her death Wednesday without giving details on the cause.
Neeson and Richardson's sister, actress Joely Richardson, were seen leaving Lenox Hill hospital Wednesday. Actress Lauren Bacall also visited the hospital.
Richardson's career highlights included the film "Patty Hearst" and a Tony-winning performance in a stage revival of "Cabaret."
Descended from at least three generations of actors, Richardson was a proper Londoner who came to love the noise of New York, an elegant blonde with large, lively eyes, a bright smile and a hearty laugh.
Jane Fonda on Wednesday recalled meeting a young Richardson on the set of "Julia," the 1977 film Fonda starred in opposite Richardson's mother, Vanessa Redgrave.
"She was a little girl but already beautiful and graceful. It didn't surprise me that she became such a talented actor," Fonda recalled on her blog. "It is hard to even imagine what it must be like for her family. My heart is heavy."
As an actress, Richardson was equally adept at passion and restraint, able to portray besieged women both confessional (Tennessee Williams' Blanche DuBois) and confined (the concubine in the futuristic horror of "The Handmaid's Tale").
Like other family members, she divided her time between stage and screen. On Broadway, she won a Tony for her performance as Sally Bowles in a 1998 revival of "Cabaret." She also appeared in New York in a production of Patrick Marber's "Closer" (1999) as well as 2005 revival of Tennessee Williams'"A Streetcar Named Desire," in which she played Blanche opposite John C. Reilly's Stanley Kowalski.
She met Neeson when they made their Broadway debuts in 1993, co-starring in "Anna Christie," Eugene O'Neill's drama about a former prostitute and the sailor who falls in love with her.
The New York Times critic Frank Rich called her "astonishing" and said she "gives what may prove to be the performance of the season."
Her most notable film roles came earlier in her career. Richardson played the title character in Paul Schrader's "Patty Hearst," a 1988 biopic about the kidnapped heiress for which the actress became so immersed that even between scenes she wore a blindfold, the better to identify with her real-life counterpart.
Richardson was directed again by Schrader in a 1990 adaptation of Ian McEwan's "The Comfort of Strangers" and, also in 1990, starred in the screen version of Margaret Atwood's "The Handmaid's Tale."
She later co-starred with Neeson in "Nell" and with Mia Farrow in "Widow's Peak." More recent movies, none of them widely seen, included "Wild Child,""Evening" and "Asylum."
Richardson was born in London in 1963, the performing gene inherited not just from her parents (Redgrave and director Tony Richardson), but from her maternal grandparents (Michael Redgrave and Rachel Kempson), an aunt (Lynn Redgrave) and an uncle (Corin Redgrave). Her younger sister, Joely Richardson, also joined the family business. She also is survived by two sons, Micheal, 13, and 12-year-old Daniel.
I was always impressed with Ms. Richardson's performances and am sorry to see her go at such a young age and in such an senselessly tragic manner.
Let us keep her family in our prayers in the coming days.









